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Devine AudioEntry II

Designed for the room you have always imagined.

Handmade in Canada Request an Audition
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The Philosophy

Entry II

Exceptional Entry-Level Performance with Audiophile Precision

These speakers create an invisible stage in your living room, so instead of sound just coming from two boxes, you hear the band laid out in front of you. The singer, guitar and drums each have their own clear spot, making music feel more like a live performance and less like background noise. Instead of just left, right and center.

These speakers are immersive, intense & dynamic with a quality that allows you to listen for hours. Not the best for low quality live recordings, it shines with modern mastered music & high quality recordings. From Jazz & classical music to deep house and heavy metal, these speakers engage deeply and produce an intense and engaging experience. We reproduce sound the way we believe studios and artists want you to hear it.

Soundstage:

With a wide & immersive soundstage, you don’t just hear sound coming from two boxes; you feel like there is an invisible “stage” where the musicians are playing.

Imaging:

With good imaging, you can easily point to where the singer is, where the guitar is, where the drums are; each sound has a clear, stable position instead of everything blending together or with only center, left & right.

Designed for discerning new listeners and seasoned audio enthusiasts alike, our entry-level 2-way coaxial speaker delivers outstanding performance that belies its class. By placing the tweeter at the acoustic center of the woofer, its coaxial design ensures superior imaging, phase coherence, and time alignment, creating a more natural and immersive soundstage—something rarely achieved in this price bracket.

Unlike traditional driver layouts, this configuration improves spatial accuracy and reduces off-axis distortion, resulting in precise instrument placement and lifelike vocals, even in challenging room setups. Whether you're diving into the nuance of jazz or the energy of modern electronic, hip-hop, or house, this speaker maintains clarity and punch with impressive dynamic range.

The cabinet is larger than most entry level speakers because they are designed to produce the deep, precise bass and low frequency necessary for quality reproduction.

Tuned for modern tastes but grounded in high-fidelity tradition, it offers a balanced frequency response with tight, articulate bass and a clean, extended top end—ideal for today's dynamic recordings. New audiophiles will appreciate its engaging, forward presentation, while more experienced ears will recognize how it competes favorably with other entry-level options from premium high-end audio brands.

If you're building your first hi-fi setup or upgrading from mass-market speakers, this model is a gateway into true high-resolution sound—crafted to grow with your system and your ears.

Perfect for my smaller rooms

Verified Customer, MB

I've been using it for Female Vocalists, blues, jazz, electronic and other detail oriented music.

Verified Customer, MB

Sound that disappears. Music that remains.

Specifications

Entry II
Power
10 – 100 Watts
Impedance
4 Ohms
Sensitivity
90 dB @ 1W / 1m
Frequency Range
35 Hz – 20,000 Hz
Dimensions
12″ H × 9″ W × 14″ D
Weight
21.5 lbs each

Every detail considered. Every note revealed.

By appointment

Hear before you decide.

Great audio speaks for itself. Request a private audition and experience Entry II in your own space, on your own terms. Backed by a full money-back guarantee.

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Devine Audio

Entry II

$1,300.00

Coaxial imaging and soundstage that defies the price. Your gateway to true high-fidelity.
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30-Day Risk-Free Audition

Entry II
Color White

Owner Reviews

What owners hear at home.

5.0 from 1 owner
Ontario Bryston 4B SST² / BP-26, Markgo Gravity MPA-02, Antique Sound Lab AQ1001 DT, SMSL AO300, NAD C320 BEE, Emotiva XPA Gen 3 / Lab12

An Artisanal Loudspeaker That Defies Expectations

Every so often, an audio component comes along that challenges our assumptions about what is possible at a given price. The Devine Audio Challenger 1 is one of those rare products.

I deliberately describe the Challenger 1 as an artisanal loudspeaker rather than a boutique speaker. Boutique often implies exclusivity or luxury for its own sake. Artisanal, on the other hand, suggests a product created with craftsmanship, passion, and an unwavering focus on performance. That perfectly describes the Challenger 1.

In today's marketplace, speakers like these almost shouldn't exist. They are an anomaly—and I mean that as the highest compliment.

The Challenger 1 is a substantial stand-mounted loudspeaker that deserves a rigid 24-inch stand. It employs a 7-inch Volt mid/bass driver mated to a Fountek ribbon tweeter in a rear-ported enclosure. The cabinet work is exceptional, with a furniture-grade finish that immediately communicates quality. They are also surprisingly heavy, reflecting the solid construction throughout. I understand they use a very minimalist, near zero-order crossover, which may explain much of their remarkable coherence.

The Sound

The very first thing I noticed was what I didn't notice—listening fatigue.

Hour after hour, the Challenger 1 remains relaxed, natural, and inviting. There is no exaggerated brightness, no artificial warmth, and no frequency range calling attention to itself. Everything sounds balanced and believable.

The midrange is beautifully organic. Voices possess body and realism, while acoustic instruments sound uncannily lifelike.

The ribbon tweeter deserves special praise. It delivers exceptional clarity and extension without ever sounding etched or aggressive. There is an effortless quality to the treble that reveals subtle detail while remaining completely grain-free.

Bass is another revelation. It extends surprisingly deep for a stand-mounted speaker while remaining tight, articulate, and wonderfully organic. There is no boom, no bloat, and no muddiness.

In fact, I eventually sold my pair of REL T/7x subwoofers because I simply no longer felt they were necessary. I never imagined I would say that about a bookshelf speaker.

Speed and Imaging

One characteristic that continually impresses me is the speaker's transient response. Notes begin and end with remarkable precision. Drum strikes, piano attacks, and plucked strings all possess a realism that makes live recordings especially convincing.

The soundstage is equally impressive. The Challenger 1 creates a deep, holographic, three-dimensional presentation where musicians occupy clearly defined positions within the recording space. Instead of hearing sound coming from two loudspeakers, the speakers themselves simply disappear.

More than once I found myself forgetting about the equipment entirely and becoming immersed in the performance. That, ultimately, is what great audio is supposed to achieve.

Music Without Limits

Many loudspeakers have strengths and weaknesses depending on the genre. The Challenger 1 seems remarkably free of that limitation. Whether I played hard rock, jazz, vocals, folk music, Baroque chamber works, or large orchestral recordings, these speakers adapted effortlessly. They never favored one style over another.

One recording that perfectly demonstrated this was Loreena McKennitt's Dante's Prayer. Through the Challenger 1, supported by the Markgo Gravity MPA-02 integrated amplifier, the presentation was breathtaking. Loreena's voice floated naturally in space while the accompanying male chorus remained individually separated rather than blending into a single mass of sound. The orchestra spread out behind the performers with convincing depth and scale.

Moments like that remind you why you invested in high-fidelity audio in the first place. The Challenger 1 does something very few speakers accomplish consistently—it transports you to the original recording venue.

System Matching

During my ownership, I partnered the Challenger 1 with several very different amplifiers: Bryston 4B SST² with Bryston BP-26 preamplifier, Antique Sound Lab AQ1001 DT Mk II tube amplifier, SMSL AO300 Class D integrated amplifier, NAD C320 BEE, Emotiva XPA Gen 3 with Lab12 preamplifier, and Markgo Gravity MPA-02 integrated amplifier.

Each amplifier revealed its own sonic character, yet the Challenger 1 consistently maintained its neutrality and transparency. They are revealing enough to expose upstream changes without ever becoming clinical. Their studio-monitor heritage is evident, yet they retain the musicality that encourages long listening sessions. For near-field listening, they are exceptional.

Perspective

Over the years I have owned loudspeakers from New Large Advent, Polk Audio, Energy Connoisseur, PSB, KLH (Models Three and Five), Klipsch Heresy IV, Von Schweikert, ELAC, and Magnepan LRS+. Each had its own strengths. Yet the Devine Audio Challenger 1 combines many of those strengths into a single loudspeaker while avoiding many of their compromises. That is extraordinarily rare.

Value

Perhaps the Challenger 1's greatest achievement is its value. In my opinion, obtaining this level of refinement, transparency, imaging, and musical realism from a major commercial brand would likely require spending five to ten times more. That is not a statement I make lightly. After more than forty years of enjoying this hobby, very few products have surprised me. The Challenger 1 did.

Final Thoughts

The Devine Audio Challenger 1 is not designed to impress during a five-minute showroom demonstration. Instead, it wins you over through honesty, natural tonal balance, exceptional speed, holographic imaging, and an uncanny ability to disappear from the listening room.

These are loudspeakers for people who care about music more than audio effects—for listeners seeking emotional involvement rather than sonic spectacle.

If you are a discerning audiophile looking for an end-game stand-mounted loudspeaker that delivers truly high-end performance without demanding a high-end price, the Devine Audio Challenger 1 deserves your attention.

Some audio products are merely good. A very small number are unforgettable. For me, the Devine Audio Challenger 1 belongs firmly in that second category.